Showing posts with label connections. Show all posts
Showing posts with label connections. Show all posts

Monday, 16 May 2016

Keep playing


Kate Regester reflects on the way the art of play is driving community development.


When I walked in to the Creating Routes workshop, at Creativeworks London on 29th April, people were already sat on chairs around the edge of the room, leaving a big empty space. What’s going to happen in that space? I wondered, as I sat down and shook hands with the person next to me. I was safe in my seated position with the weight of my backpack pressing against my legs. Then the workshop facilitator stood up and invited us to leave our stuff behind and join them.

The move from the chair to the middle of the room was weirdly daunting. It was only a short distance but it was stepping into the unknown. The group had never met before, who were these facilitators? Anything could happen. It sounds like a little thing, but as the 140+ projects that were showcased as part of the Creativeworks Festival attest, when you get a group of interested people stepping into the same space the results can be huge, far-reaching and overall surprising.

One of the things that stuck with me from the day of installations, talks, performances and workshops was a comment from the panellists in Women, Creative Collaborations and Digital Thinking who said that we are brought up to believe that work is a serious business, when actually the best work comes out when we play. Something that has been recognised by the top Fortune 100 companies like Google where play is more than just an activity, it is a mindset created by a value system. Play is an attitude which promotes negotiation, creative problem solving, taking risks and reaching a consensus when our different imaginary worlds collide.

The panellists, Ghislaine Boddington (Body>Data>Space), Ruth Catlow (Furtherfield), Lydia Fraser-Ward (Fantasy High Street) and Roberta Communian (King’s College London), discussed how digital technologies, like architecture, embed our values and interests into the future whether this is through the technologies, businesses, education and art themselves or the behaviours we exhibit when using them.  With this comes the importance of providing and promoting opportunities so everyone is represented in the creative process, ensuring those values meet the needs of every future user. Alongside which is the way we, as individuals, take responsibility for championing and supporting the younger generation into the workforce.


Collaboration is another big word bouncing around at the moment and an easy answer to some of the challenges faced by all organisations in the changing funding landscape. However, it is not always so easy to achieve, precisely because it require those skills which can only be developed through play. Play is not just about what happens in closed rooms or a responsibility of a curriculum; it’s an attitude that gives people permission to experiment and when the outcome does not turn out as you expect, creating a safe space where that learning can be turned in to an opportunity. In your workplace or in that space with other interested people. 

At Brighton City Lab on 28th April, I met individuals from a range of Social Enterprises and community-minded projects across Brighton. I saw a network of people sharing experience, skills and connections, coming together with the opportunity to explore ideas. It brought home how much of our learning happens not on the chairs at the edge of the room but when we are in the middle of the room, working together.

To go back to the Creating Routes workshop, you’ll be pleased to know that the middle of the room didn’t swallow me up. The facilitators asked us to choose from a series of random objects (head torches, police line tape, small mesh hats with bells on) something that reflected one of our skills and take it back to our groups. We entered the space as individuals with something unique to offer, put our skills together and created an imaginary project. In short, we played.

Links:
http://www.creativeworkslondon.org.uk/festival
http://www.resourcecentre.org.uk/brighton-city-lab/

---

Kate Regester is the Project Development Manager at always possible
// kate@alwayspossible.co.uk



Monday, 6 July 2015

The Drama Triangle


Being a parent of two young, restless children on these hot, light nights tests my emotional and physical resilience to an extreme. They have both slept in the car on the way home earlier, of course, so have already enjoyed a 45 minute deep sleep. The calming-down effects of the usual food, bath, story routines are undermined by the intense sunshine and sticky skin under even the lightest of pyjamas. 

I know we don't live in a sub-saharan hot-spot, but it is well-documented that the Brits aren't particularly prepared for hot days and nights. And our Sussex home near the coast is built to insulate, which it does very well.

The children don't go to sleep until gone 10pm, and for the 3 hours prior to this there is a merry-go-round of irritability: tantrums, frustrated stomping about, apologies, hot cuddles, pleading, blackmail, angry outbursts, platitudes etc etc. It is a buffet of ill-advised behaviours.

But it is only ever later on, when everyone's defeated, that you properly start to reflect on what could have happened differently (clue: I am getting the car seats fitted with dashboard-controlled spikes so that they can't fall asleep in the back unless I say so). You think about the behaviours the children use to gain control of the situation in their different ways - and the behaviours my wife and I use to strive for firm fairness yet quickly lose ground to sheer exasperation. We are caught in Karpman's drama triangle and the only way out of it is someone eventually falling asleep. Probably the grown ups.


Dr Stephen Karpman's 1968 idea, was that conflict needs players and players need roles. The consequential objective of each role is just to have its own needs met - even if temporarily - in order to feel justified in its rationale/behaviour/feeling.

Karpman suggests that in each conflict there are three main roles:

  1. The Persecutor: happy to allocate blame and to ensure that other players know they are in the wrong. They are probably angry, accusative, inflexible and feeling very righteous. In order to have their needs met, they require The Victim; someone onto whom they can project their irritation.
  2. The Victim: The Victim takes the brunt of The Persecutor's wrath. The Victim feels hard-done-by, got-at, powerless, ashamed, unable to do anything. This is obviously a position of anxiety for most, but psychologically it can actually often bring some comfort. You know where you are when you are The Victim, and it's easy to seek the pity of others. If The Victim role feels natural to you, then you need to seek out The Persecutor (if you haven't already got one) but also The Rescuer.
  3. The Rescuer: a big ball of guilt, who needs someone to help, because when you're the hero to others then you don't have to deal with your own feelings of anxiety or displacement. The Rescuer appears to be The Victim's saviour from The Persecutor, but actually cements the others in their negative behaviours - almost giving them permission to stay as the bully or the bullied as it makes everyone feel that they have a purpose.

The important things about these roles, is that they are not fixed to an individual. In the course of a conflict, the players will move around the three corners of the triangle - first shouting the odds, then feeling got-at when they are challenged, and then rescuing their former adversaries when they then go on to feel vulnerable. It is a rotating pattern of behaviours that, ultimately, serves no-one. Even when the conflict is finished, everyone of those players is likely to harbour some resentment - even if their short-term emotional needs feel sated.

What does this have to do with always possible, I hear you grumble - and is this just a parent-child thing?

Well, it has everything to do with everyday organisational behaviours, with corporate, community and collaborative development and - in a way - it is to do with parent/child relationships, but often metaphorically.

In some leadership workshops that I co-ran in March with managers from the FE and skills sector, we explored the drama triangle and whether it had any impact on the behaviours of those running education institutions. Of course! The lists kept coming:

Classic persecutors: Ofsted, awarding bodies, DfE, angry parents, angry learners, disgruntled staff, pissed-off neighbours, local authority, politicians, social workers...

Victims: teachers, Headteachers, learners (again), disgruntled staff (again), neighbours (again), politicians (don't blame us, we've got books to balance)

Rescuers: teachers (again), counsellors, social workers (again), local authority (we really do understand...), colleagues, Headteachers, Ofsted, whiskey...

You get it.
This theory has been around for nearly 50 years and is used daily in the fields of 'transactional analysis', and the study and understanding of social and professional behaviours. But, it is one of the simple ideas that I think makes a lot of sense, and to understand where you are on in the cycle during any given 'drama' enables you to get yourself out of it.

As a manager, leader and consultant, I will always be very mindful about the sorts of drama triangles that are sapping my clients' energies - and situations don't often look or feel like a theoretical diagram can neatly sum them up - but dig a little and patterns emerge. The obvious examples are where company leaders feel that they have absolutely no control over the future of their organisation - because of cuts in funding, because customers are more demanding, because you can't get the staff, because the competition are just that bit bigger - and the sensitive conversation to have is about how long this feeling has been going on and whether actually it is easier to be The Victim because the narrative it provides displaces the need to do something about it. The belief that The Rescuer will be along soon (a grant windfall, a good bit of publicity, a stay of execution from the landlord/taxman/whoever, some good results) is sometimes enough to keep people going.

When you write it down, it sounds a bit irrational (I think) - but I would guess that 80% of small values-led organisations, schools, arts organisations, SMEs, charities, have this mindset for a big chunk of their developmental years.

Is there an answer? Well, self-awareness can bring some different ways of looking at things.

Much of the follow-up work to Karpman has focused on the idea of ridding the parent-child power games in favour of more adult-adult conversation. If one part of the triangle ceases to play along (much like if you remove one of the elements needed to maintain a fire), then the drama collapses. It takes one party to speak above the noise and call for a bit of perspective.


The idea is then that the energy given out in perpetuating the drama could actually be used for the long-game, reframing the action towards problem-solving behaviours rather than the emotional quick-wins. Of course, much easier said than done, but that's where some outside perspective can often help.

If it works, then The Persecutors become Challengers. They might still have a bee in their bonnet, and they might have a thing or two to say - but it moves from bullying to a more collaborative approach that relies on accountability and transparency. Most importantly, they are clear about what behaviours from others will enable them to feel less angry or critical - and to have realistic expectations about how these can be achieved.

The Victims become Survivors, understanding that purely to seek the validation of feeling vulnerable means it can never move beyond that point. The key is to identify, and then take, some action - still often with the help of others, but without the co-dependency. This may mean letting go of some strings.

The Rescuers become Coaches. Having some synergy with the Challengers, this role helps others to identify the behaviours they need to exhibit in order to get themselves out of their rut. The better the coach, the less direct rescuing they need to do.

Of course, this is just a framework, but it can help foster a dialogue within teams - especially when the proverbial starts to hit the fan. There are people who won't buy-in to it, and there a organisations who feel their natural harmony and problem-solving is the glue which binds them - which, if true, will lead to a thriving company much quicker than others. But it is rare that no-one ever finds themselves in this trap.

I will still blame my role as grumpy daddy on the car-journey sleeps and the fact that British houses are poorly designed for hot days. It's nothing to do with me, guv. Not my fault.



Tuesday, 30 June 2015

A Pitch In Heat

This week I have been staring at unwieldy forms; submitting an Arts Council England application on behalf of Original Theatre Company, navigating the wordy Register of Training Organisations due-diligence and quality assurance pages, drafting another bid on leadership & management training. I end up conquering, even befriending, these endless boxes but I have to set the right conditions. Glastonbury coverage and muggy heat are not helpful conditions.

I am a conqueror. Just a hot one.



This evening I have been at the first ever Brighton RSAEngage event, an event for current and prospective Fellows of the Royal Society of The Arts to gather and drink wine and talk about changing the world. I have been a Fellow for 3 days, but felt more included than I have ever done when muscling my way in to these sort of seemingly important chinwags. It was informal and friendly; I felt able to talk to anyone, and everyone was equally flagging in the evening heat. My elevator pitch is not yet refined and goes something like: “I am an education consultant and I also work with creative and cultural organizations and the non-profit and charity sector and I support growth and strategy and help leaders be brilliant at what that they do and that is at the core of my offer, to help organisations that want to make a difference be brilliant, and that is through strategy and fundraising and coaching and consulting, I am interested in values-led leadership and how education can be broken apart and restitched as well as how the arts can fulfill a mandate for social change and I like people and I like cheese and and and and”.

I could do with some editing.

It could have been an empty talking shop, a bit elitist, a bit privileged - I’ve done those before - but it avoided this. Most people seemed as wide-eyed as me, but with a ‘thing’ that they believe in to talk about.

I might have excitedly said I will do some things with some interesting organisations - and that's what is incredibly motivating at the moment; there are some really god things happening. I met the CEO of ditchthelabel.org, a high-profile anti-bullying charity and we’re hopefully going for coffee. I enjoyed picking the brains of Naomi, who is a community theatre specialist, working with BAC and the Old Vic, who wants to establish a People’s Theatre that appeals to the 92% of people who never go to the theatre. I chatted with Lewis, who is an intern at a management consultancy that wants to transform a kiosk next to a windmill in Rottingdean into a conservation and environment education centre. I caught up with Rose who trains school governors. I spoke with Nick, a former Ofsted director, who now helps run a mentoring network for vulnerable young women and we talked about setting one up for boys. I heard from Nigel, who runs a new arts venue in Haywards Heath. I briefly introduced myself to Rowan, Director of Research & Innovation at the RSA who compelled us all to stick our noses into the deals being made about Brighton’s devolved money (the City Deal that will bring millions to the city in exchange for rapid economic growth - she is expecting an email from me about wanting to get involved. Somehow).

I’ll write soon about ‘what’ I’m doing and the philosophies that underpin it, but the scoping is still very rewarding.

Thursday, 25 June 2015

Happy Talk

The single best thing about my freelance role is the range of fascinating and interesting people I get to meet.

I'm aware that I'm doing a lot of ideas and concept building at the moment, which is always much more romantic than keeping the supporting pillars steady - but it's damn exciting.



Today, after lunch, I met with Mick Taylor. A Geordie mathematician, educator and businessman who is involved in setting up Goodmoney, a social enterprise concerned with the radical re-invention of how money works. A gift voucher that supports local businesses, a credit union that offers fair loans and a structured time bank that offers Sussex volunteers the chance to trade time/services for tickets/goods/services. I'll be hopefully playing around with them as an advisor, consultant and volunteer for the foreseeable and will see what happens; the connectivity and values-led experimenting of it all is appealing.

Then I moved straight, from hipster coffeehouse to a Costa 50 yards away, into a meeting with an account manger from JISC - the agency that supports the development of education technology in FE and HE. A great discussion that circumnavigated challenges and opportunities in the sector and how I might be able to facilitate the greatest impact with providers to test and analyse the impact of products on the market. The change of coffee shop tone is no accident.

For night-time connectivity, I took always possible associate James Turbull to London, meeting with with the great and good of charity/non-profit fundraising at a drinks reception in Farringdon. Hosted by the great James Newell of Kingston Smith, it was a good opportunity to discuss ideas of leadership, values and business with some intriguing and dynamic people; key players I enjoyed  boring with my whims were Mandy Johnson, Director of Partnerships at change.org; Paul Nott, Charity Recruitment Specialist; a freelance fundraiser called Sarah (who had kept her Minneapolis accent despite 10 years in Birmingham); Leanne from KS who partied with us near the samosas and many other warm and interesting people. 

It was quirky to have a summer party on a hot day in a windowless basement boardroom, but the beer was cool and the smiles were big.

More people, more connections, more joining up thoughts. I like this bit.